JOE PRAML, Playwright, Stage Director, Performance Reader of Poetry, Tenants' Rights Activist
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  • ABOUT
  • Reviews/Press
    • Playwright: McKnight Foundation Humanities Award For Drama
    • Playwright: "The Pearl" "The Moneyman" - McKnight award winning one-acts
    • Playwright: London, Praml's "The Trick"
    • Playwright: London, Praml's "Jason"
    • Director: Drama-Logue Award, "Once A Catholic," Celtic Arts Center
    • Director: O'Malley's "Once a Catholic," Drama-Logue review
    • Director: O'Malley's "Once a Catholic": Variety, LAWeekly reviews
    • Director: O'Neill's sea plays, Los Angeles Times review
    • Director: O'Neill sea plays, two reviews
    • Director: "The Au Pair Man: Staged reading
    • Director: Hugh Leonard's "The Au Pair Man" Celtic Arts Center
    • Director: Reviews: Leonard's "The Au Pair Man"
    • Joe Praml: Stage manager. England
    • Joe Praml, stage actor, London, "About Poor B.B."
    • Actor: Joe Praml, London, Quantrill in Lawrence" by Bernard Pomerance
    • Actor: London: Reviews: Nathanael West's "Miss Lonelyhearts"
    • Actor: London: Wallace's "On The Spot"
    • Actor: Joe Praml, Edinburgh Festival
    • Reader: Irish Herald article, Joe Praml reads Dylan Thomas poetry
    • Reader/Director: 2010 Bloomsday, Celtic Arts Center
    • Reader: 2009 Bloomsday, Celtic Arts Center
    • Reader: Joyce's Ulysses, director: Fionnula Flanagan
  • STAGE PLAYS
    • Playwright: Joe Praml's JASON: Summary, Script
    • Playwright: Jason - reviews
    • Playwright: Joe Praml's Mayfly Night
    • Playwright: Joe Praml's The Pearl
    • Playwright: Joe Praml's The Trick
    • Playwright: Joe Praml's The Moneyman
    • Playwright: Anatol, Joe Praml's adaptation of Arthur Schnitzler's play
    • Playwright-Joe Praml: POLDROCK, Monologue
  • SCREENPLAYS
    • Screenwriter: Joe Praml's ...And The Horseman's Name Was Death
    • Screenwriter: Joe Praml's Kidsplay '47
  • JFC! NOVEL
    • JFC! Frankenstein
    • JFC! A Tear in Glasgow, Caine Mutiny
  • ARTICLES, ESSAYS, LTRS
    • Joe Praml: Thatcher's Britain and The Iron Lady
    • Joe Praml defines "hip"
    • Joe Praml: Bill Evans-Stan Getz album
    • Joe Praml: Boxing, Savage World, Hurricane Carter
    • Joe Praml's London Time Out article
    • Joe Praml: Hugh Leonard's The Au Pair Man
    • Joe Praml essay: Seamus Heaney: KPFK radio program "Keeping Going"
    • Joe Praml's article about CES and West Hollywood Cityhood
    • Joe Praml's LA Stage Times article: directing The Au Pair Man
  • Community Activist
    • Rent Stabilization Commissioner
    • LAWeekly Best of LA: Tenants' Rights Counselor
    • Joe Praml--CES blog-West Hollywood City Council meeting
    • W Hollywood Certificate of Commendation
    • WHollywood Rent Stabilization Commissioner
  • Audio-Readings
    • Dylan Thomas Live Readings
  • Posters
  • Contact
  • Christmas+Easter
    • Joe Praml's The Night That Changed The World
  • Smiley's People
                                                                               JASON

                                      by Joe Praml


                                               Summary and Script
​

“We found the world of Jason to be wonderfully menacing and idiosyncratic...Jason and Finnegan’s mysterious, magnetic relationship sparked thoughts about how those in power think about underdogs. Praml’s investigation of corporate behavior was especially chilling given current events. This is a unique story laced with biting wit.”
   --Sarah Rose Leonard, Literary Manager, Berkeley Repertory Theatre


Jason is set in a surrealistic present. There are three main characters: Jason, an ambitious idealistic young man; Finnegan, good-hearted outsider always on the escape from prison; the Old Man, the powerful driving force of the play and head of the Company. They meet in an other-worldly park. The Old Man recruits Jason to serve the Company. As he rises in the Company, Jason twists idealism to perfect the product, reform Finnegan, and dominate the Company. Beneath this conglomerate world is the stubborn longevity of an unnamed plague. The Official reminisces about a past corporate leader who captivated people’s hearts and fears. Jason uses power and fear. He betrays Finnegan and the Old Man and ends up powerful, cold, alone.