JOE PRAML, Playwright, Stage Director, Performance Reader of Poetry, Tenants' Rights Activist
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  • ABOUT
  • Reviews/Press
    • Playwright: McKnight Foundation Humanities Award For Drama
    • Playwright: "The Pearl" "The Moneyman" - McKnight award winning one-acts
    • Playwright: London, Praml's "The Trick"
    • Playwright: London, Praml's "Jason"
    • Director: Drama-Logue Award, "Once A Catholic," Celtic Arts Center
    • Director: O'Malley's "Once a Catholic," Drama-Logue review
    • Director: O'Malley's "Once a Catholic": Variety, LAWeekly reviews
    • Director: O'Neill's sea plays, Los Angeles Times review
    • Director: O'Neill sea plays, two reviews
    • Director: "The Au Pair Man: Staged reading
    • Director: Hugh Leonard's "The Au Pair Man" Celtic Arts Center
    • Director: Reviews: Leonard's "The Au Pair Man"
    • Joe Praml: Stage manager. England
    • Joe Praml, stage actor, London, "About Poor B.B."
    • Actor: Joe Praml, London, Quantrill in Lawrence" by Bernard Pomerance
    • Actor: London: Reviews: Nathanael West's "Miss Lonelyhearts"
    • Actor: London: Wallace's "On The Spot"
    • Actor: Joe Praml, Edinburgh Festival
    • Reader: Irish Herald article, Joe Praml reads Dylan Thomas poetry
    • Reader/Director: 2010 Bloomsday, Celtic Arts Center
    • Reader: 2009 Bloomsday, Celtic Arts Center
    • Reader: Joyce's Ulysses, director: Fionnula Flanagan
  • STAGE PLAYS
    • Playwright: Joe Praml's JASON: Summary, Script
    • Playwright: Jason - reviews
    • Playwright: Joe Praml's Mayfly Night
    • Playwright: Joe Praml's The Pearl
    • Playwright: Joe Praml's The Trick
    • Playwright: Joe Praml's The Moneyman
    • Playwright: Anatol, Joe Praml's adaptation of Arthur Schnitzler's play
    • Playwright-Joe Praml: POLDROCK, Monologue
  • SCREENPLAYS
    • Screenwriter: Joe Praml's ...And The Horseman's Name Was Death
    • Screenwriter: Joe Praml's Kidsplay '47
  • JFC! NOVEL
    • JFC! Frankenstein
    • JFC! A Tear in Glasgow, Caine Mutiny
  • ARTICLES, ESSAYS, LTRS
    • Joe Praml: Thatcher's Britain and The Iron Lady
    • Joe Praml defines "hip"
    • Joe Praml: Bill Evans-Stan Getz album
    • Joe Praml: Boxing, Savage World, Hurricane Carter
    • Joe Praml's London Time Out article
    • Joe Praml: Hugh Leonard's The Au Pair Man
    • Joe Praml essay: Seamus Heaney: KPFK radio program "Keeping Going"
    • Joe Praml's article about CES and West Hollywood Cityhood
    • Joe Praml's LA Stage Times article: directing The Au Pair Man
  • Community Activist
    • Rent Stabilization Commissioner
    • LAWeekly Best of LA: Tenants' Rights Counselor
    • Joe Praml--CES blog-West Hollywood City Council meeting
    • W Hollywood Certificate of Commendation
    • WHollywood Rent Stabilization Commissioner
  • Audio-Readings
    • Dylan Thomas Live Readings
  • Posters
  • Contact
  • Christmas+Easter
    • Joe Praml's The Night That Changed The World
  • Smiley's People
Picture
Los Angeles Times

Stage Beat
By RAY LOYND

‘Two From the Sea’

Eugene O’Neill’s early sea plays throb with atmosphere, and the Celtic Arts Center evocatively catches the tough camaraderie in the one-acts “Bound East for Cardiff” and “The Long Voyage Home.”

Director Joe Praml draws excellent ensemble performances from his casts (particularly Tom Noga in both plays, Robert O’Carroll’s dying seaman Yank in “Cardiff,” and Sonja Green-Fortag and Joan Mullin as the saloon slatterns in “Voyage”).

“Bound East for Cardiff” (O’Neill’s first staged play, by the fabled Provincetown Players in 1916) looms as a murky “Lower Depths” in Dart Conrad’s set design. The actors’ rough brogues are authentic and comprehensible. The tramp steamer’s rhythmic, thudding “ka-lunk-ka-lunk” fill the pale darkness of the seamen’s hole (credit lighting and sound designer Peter Strauss).

The aura of squalor is not as textured in the curtain-closer, “The Long Voyage Home,” which offers a Swedish lunk (Bill A. Jones) about to be shanghaied from a waterfront dive. The acting and staging, however, maintain this solid salute to O’Neill’s centennial.


Performances run at 5651 Hollywood Blvd., Fridays and Saturdays at 8 p.m. Sundays at 7 p.m., through April 17. Tickets: $6-$19. (213) 462-6844.