JOE PRAML, Playwright, Stage Director, Performance Reader of Poetry, Tenants' Rights Activist
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    • Playwright: McKnight Foundation Humanities Award For Drama
    • Playwright: "The Pearl" "The Moneyman" - McKnight award winning one-acts
    • Playwright: London, Praml's "The Trick"
    • Playwright: London, Praml's "Jason"
    • Director: Drama-Logue Award, "Once A Catholic," Celtic Arts Center
    • Director: O'Malley's "Once a Catholic," Drama-Logue review
    • Director: O'Malley's "Once a Catholic": Variety, LAWeekly reviews
    • Director: O'Neill's sea plays, Los Angeles Times review
    • Director: O'Neill sea plays, two reviews
    • Director: "The Au Pair Man: Staged reading
    • Director: Hugh Leonard's "The Au Pair Man" Celtic Arts Center
    • Director: Reviews: Leonard's "The Au Pair Man"
    • Joe Praml: Stage manager. England
    • Joe Praml, stage actor, London, "About Poor B.B."
    • Actor: Joe Praml, London, Quantrill in Lawrence" by Bernard Pomerance
    • Actor: London: Reviews: Nathanael West's "Miss Lonelyhearts"
    • Actor: London: Wallace's "On The Spot"
    • Actor: Joe Praml, Edinburgh Festival
    • Reader: Irish Herald article, Joe Praml reads Dylan Thomas poetry
    • Reader/Director: 2010 Bloomsday, Celtic Arts Center
    • Reader: 2009 Bloomsday, Celtic Arts Center
    • Reader: Joyce's Ulysses, director: Fionnula Flanagan
  • STAGE PLAYS
    • Playwright: Joe Praml's JASON: Summary, Script
    • Playwright: Jason - reviews
    • Playwright: Joe Praml's Mayfly Night
    • Playwright: Joe Praml's The Pearl
    • Playwright: Joe Praml's The Trick
    • Playwright: Joe Praml's The Moneyman
    • Playwright: Anatol, Joe Praml's adaptation of Arthur Schnitzler's play
    • Playwright-Joe Praml: POLDROCK, Monologue
  • SCREENPLAYS
    • Screenwriter: Joe Praml's ...And The Horseman's Name Was Death
    • Screenwriter: Joe Praml's Kidsplay '47
  • JFC! NOVEL
    • JFC! Frankenstein
    • JFC! A Tear in Glasgow, Caine Mutiny
  • ARTICLES, ESSAYS, LTRS
    • Joe Praml: Thatcher's Britain and The Iron Lady
    • Joe Praml defines "hip"
    • Joe Praml: Bill Evans-Stan Getz album
    • Joe Praml: Boxing, Savage World, Hurricane Carter
    • Joe Praml's London Time Out article
    • Joe Praml: Hugh Leonard's The Au Pair Man
    • Joe Praml essay: Seamus Heaney: KPFK radio program "Keeping Going"
    • Joe Praml's article about CES and West Hollywood Cityhood
    • Joe Praml's LA Stage Times article: directing The Au Pair Man
  • Community Activist
    • Rent Stabilization Commissioner
    • LAWeekly Best of LA: Tenants' Rights Counselor
    • Joe Praml--CES blog-West Hollywood City Council meeting
    • W Hollywood Certificate of Commendation
    • WHollywood Rent Stabilization Commissioner
  • Audio-Readings
    • Dylan Thomas Live Readings
  • Posters
  • Contact
  • Christmas+Easter
    • Joe Praml's The Night That Changed The World
  • Smiley's People

The cabaret of poetry of Bertolt Brecht and music of Hanns Eisler and Kurt Weill ran intermittently for two years in various London theatres and venues.
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F A C T O R Y F  F E S T I V A L 

THREEPENNY THEATRE PRESENTS

about poor b.b.

poems by Bertolt Brecht
songs/music by Hanns Eisler and Kurt Weill


Poems translated by Jack Kessler, Lillie Hess & Cliff Cocker

About the Company:

Threepenny Theatre is a new group formed to work in community theatres in and around London.  Director: Cliff Cocker. Stage management: Daniel Rovai/Tony Feneck. The company consists of six actors and four musicians:

Actors                                       Musicians

Van Hinman                              Richard Baker
Michelle Mildwater                    Belinda Kidd
Joe Praml                                 Gina Loishmann
Emma Jean Richards               Ralph Smith
Alexei Sayle
Mary Zuckerman

The running order of songs and poems is as follows:

About Poor B.B.                       German Miserere
Whiskey Bar                             Hossanah Rockerfeller
Abortion is Illegal                      Cretin
Stripper                                     Rockerfeller    
Nothing Quite Like Money        Easter Sunday
Is the People Infallible              The Difficulty of Government        Supply and Demand                 Little Radio

The Invincible Slogan               The Service Train
Who is the Party                       Mary Sanders
Solidarity                                  The Love of the People 
Song of the German Mother


Since his death in 1956, Bertolt Brecht has become recognized as one of the most important political playwrights and poets.

Brecht’s development as a writer is not surprising, set in the context of his life and times. Born in the small provincial town of Augsburg, Bavaria, Brecht was drawn in his youth to the political cabarets of Munich and Berlin, where a whole new generation of German artists were cutting their teeth on the political and social injustices of the post-World War I Weimar Republic. Brecht’s cynical disillusionment with the government of the time is best reflected in the poem Cretin. But his political awakening as a result of his study of Marx and Lenin created the spark which ignited his peculiar genius for poetry and plays, which illuminated the difficulties and triumphs of working people in their struggle for liberation from fascism and capitalism.

After the Reichstag fire in 1933, Brecht left Germany the day before his name appeared on Hitler’s black list. The next 14 years of his life were spent in exile in various Scandinavian countries and America. During this period he was an outspoken critic of the fascist regime in Germany and developed his revolutionary theories and practice which sought to make theatre a provincial social and political experience.

Brecht returned to East Berlin in 1947 and formed the Berliner Ensemble which gained world-wide renown before and after his death. 


“About Poor B.B.” is not a biographical account of Brecht’s life. It is an attempt to touch on aspects of his work which are as relevant and provocative today as they were in his lifetime. Hopefully this cabaret will stimulate further interest in Brecht’s life, times and work.
                 
                                            Cliff Cocker, Director

About The Factory
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‘The Factory,’ Marylands Community Theatre, is a building owned by Westminster City Council, whose function is to make available for the local community resources and entertainment of a community arts nature. It has already established a very successful printshop ‘Paddington Printshop’ and now with the opening of the upstairs studio theatre, hopes to entertain children and adults in this multi-racial community with the highest standard of work, and to encourage them to participate in this form of communication. This first production by Threepenny Theatre is the first of a number of productions by theatre groups over the next six weeks. So enjoy yourselves and please come again.
​                                                                       
 Barry Coles

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Van Hinman, Emma Jean Richards, Joe Praml, Michelle Mildwater, Alexei Sayle, Mary Zuckerman
         Situated in North Paddington, the Factory at the Marylands Community Center is an empty space which at the very least may provide local people with cheap entertainment and if this week's sample is a measure of things to come, may prove to be one of the most exciting community theatre spaces in London. Over the next six weeks the Factory is opening its doors to various theatre groups before it closes for a nine month conversion period. Get down there and take a look. The building is large and bright and the price for a show is 40p. In a jolly cabaret atmosphere you can drink a generous glass of wine for 20p. The first production by Threepenny Theatre is 'About Poor B.B.', an entertainment based on Brecht's songs and poems. It's a witty account of certain aspects of Brecht's life and work which is performed with vigour and humor by a talented cast. It is as relevant today as in Brech't own lifetime.
​                                                     (Ann McFerran)