JOE PRAML, Playwright, Stage Director, Performance Reader of Poetry, Tenants' Rights Activist
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  • ABOUT
  • Reviews/Press
    • Playwright: McKnight Foundation Humanities Award For Drama
    • Playwright: "The Pearl" "The Moneyman" - McKnight award winning one-acts
    • Playwright: London, Praml's "The Trick"
    • Playwright: London, Praml's "Jason"
    • Director: Drama-Logue Award, "Once A Catholic," Celtic Arts Center
    • Director: O'Malley's "Once a Catholic," Drama-Logue review
    • Director: O'Malley's "Once a Catholic": Variety, LAWeekly reviews
    • Director: O'Neill's sea plays, Los Angeles Times review
    • Director: O'Neill sea plays, two reviews
    • Director: "The Au Pair Man: Staged reading
    • Director: Hugh Leonard's "The Au Pair Man" Celtic Arts Center
    • Director: Reviews: Leonard's "The Au Pair Man"
    • Joe Praml: Stage manager. England
    • Joe Praml, stage actor, London, "About Poor B.B."
    • Actor: Joe Praml, London, Quantrill in Lawrence" by Bernard Pomerance
    • Actor: London: Reviews: Nathanael West's "Miss Lonelyhearts"
    • Actor: London: Wallace's "On The Spot"
    • Actor: Joe Praml, Edinburgh Festival
    • Reader: Irish Herald article, Joe Praml reads Dylan Thomas poetry
    • Reader/Director: 2010 Bloomsday, Celtic Arts Center
    • Reader: 2009 Bloomsday, Celtic Arts Center
    • Reader: Joyce's Ulysses, director: Fionnula Flanagan
  • STAGE PLAYS
    • Playwright: Joe Praml's JASON: Summary, Script
    • Playwright: Jason - reviews
    • Playwright: Joe Praml's Mayfly Night
    • Playwright: Joe Praml's The Pearl
    • Playwright: Joe Praml's The Trick
    • Playwright: Joe Praml's The Moneyman
    • Playwright: Anatol, Joe Praml's adaptation of Arthur Schnitzler's play
    • Playwright-Joe Praml: POLDROCK, Monologue
  • SCREENPLAYS
    • Screenwriter: Joe Praml's ...And The Horseman's Name Was Death
    • Screenwriter: Joe Praml's Kidsplay '47
  • JFC! NOVEL
    • JFC! Frankenstein
    • JFC! A Tear in Glasgow, Caine Mutiny
  • ARTICLES, ESSAYS, LTRS
    • Joe Praml: Thatcher's Britain and The Iron Lady
    • Joe Praml defines "hip"
    • Joe Praml: Bill Evans-Stan Getz album
    • Joe Praml: Boxing, Savage World, Hurricane Carter
    • Joe Praml's London Time Out article
    • Joe Praml: Hugh Leonard's The Au Pair Man
    • Joe Praml essay: Seamus Heaney: KPFK radio program "Keeping Going"
    • Joe Praml's article about CES and West Hollywood Cityhood
    • Joe Praml's LA Stage Times article: directing The Au Pair Man
  • Community Activist
    • Rent Stabilization Commissioner
    • LAWeekly Best of LA: Tenants' Rights Counselor
    • Joe Praml--CES blog-West Hollywood City Council meeting
    • W Hollywood Certificate of Commendation
    • WHollywood Rent Stabilization Commissioner
  • Audio-Readings
    • Dylan Thomas Live Readings
  • Posters
  • Contact
  • Christmas+Easter
    • Joe Praml's The Night That Changed The World
  • Smiley's People
Picture
Joe Praml won the McKnight Foundation Humanities Award for Shorter Drama for "The Pearl" and "The Money Man" -- photo of "The Money Man"
‘THE PEARL’ AND
‘THE MONEY MAN’

Theatre in Round: Two One-Acts

By MIKE STEELE
Minneapolis Tribune Staff Writer
Theatre Review


The second of Theatre in Round’s summer series of new plays has Joseph Praml’s two one-acts, “The Pearl” and “The Moneyman,” both directed by Maurice Weinblatt.

Praml has an imaginative mind and a good sense of the rhythms of idiomatic language. 

“The Pearl” shows a brother and sister who spend the first portion of the play venting their disgust towards their grandmother. After learning that she has a “black pearl the size of a golf ball” embedded in her side, they spend the second half trying to show their love towards her.

“The Money Man” is a rich play and is well directed. Praml builds this one around a boxing ring following a fight in this the Boxer has been knocked out. Enter his black trainer who was also an unsuccessful fighter, Elena who is not a successful woman, and Fred, a gay who has not been a successful man.

With Fred as the masochistic catalyst, we see everyone’s weaknesses exposed as everyone turns on everyone else to save their own shattered egos. They finally have to admit their inabilities to cope with life and, tie themselves together.